Development Talk

Vulindlela Cultural Group perform at the Heritage Day celebrations at Iziko National Museum of South Africa. Photo: Nondumiso Ntsengentsu

Vulindlela Cultural Group perform at the Heritage Day celebrations at Iziko National Museum of South Africa. Photo: Nondumiso Ntsengentsu

This Heritage Day, young and old people from different cultural backgrounds, different ethnic groups and religions, who speak different languages, showed South Africa is united at the Iziko National Museum of South Africa in Cape Town.

On Friday 24 September, heritage in all its forms was celebrated at the Museum. People from different backgrounds shared their heritage customs and culture through music and dance. Indigenous food was offered so that people could experience the taste of diversity.

Drumming sessions with Bevil Spence showed the spirit of imbumba yamanyama (rainbow nation). Every beat of the drum presented African rhythm.

The audience was entertained by other cultural groups that include, Ikapa Dance from Phillipi and Cross Roads, Vulindlela Cultural Group from Gugulethu and La Rosa Spanish Dance. Vulindlela performed a poem that touched many hearts.

La Rosa Spanish Dance share their Spanish heritage with the audience at the Iziko National Museum of South Africa. Photo: Nondumiso Ntsengentsu

La Rosa Spanish Dance share their Spanish heritage with the audience at the Iziko National Museum of South Africa. Photo: Nondumiso Ntsengentsu

Dancers from Freeflight Dance Company also performed in response to the exhibition of South African artworks made from 1910 to 2010, currently on display at the National Gallery, entitled 1910-2010 From Pierneef To Gugulective.

Museum offered free Planetarium shows, to accommodate both children and adults. The one was on indigenous astronomy, the other on dinosaurs, and a show entitled Tick Tock the Mouse & the Clock  was also shown on the hour.

Madiba: The Life and the Times of Nelson Mandela was screened at the TH Barry Lecture Theatre.  A tribute was paid to musical legends such as, Brenda Fassie, Robbie Jansen, Miriam Makeba by Music Laboratory.

The event emphasised that we must embrace what we have, be proud of our roots and show humanity.

A diverse group of people came to share their common heritage as South Africans. Photo: Nondumiso Ntsengentsu

A diverse group of people came to share their common heritage as South Africans. Photo: Nondumiso Ntsengentsu

A refugee girl in one of the tents used to house people displaced by xenophobic attacks in South Africa in 2008. Photo: Development Works

A refugee girl in one of the tents used to house people displaced by xenophobic attacks in South Africa in 2008. Photo: Development Works

Beautiful! Exquisite! Professional! Captivating! This is what everyone sang after a well-presented musical play by Lawrence House, a refugee children’s home, which forms part of the Scalabrini Centre’s welfare programmes.

The show, commemorating Lawrence House’s 5th anniversary, was entitled “Mad Word” and was advertised by word of mouth. The “mad word” spread and it generated more than a hundred audience members.

While some disturbing incidences of xenophobia have flared up in South Africa after the 2010 FIFA World Cup, and a number of foreign nationals have left their homes in fear, this show displayed the theme of unity and love and emphasised the importance of “a happy family”.

Formed in 2005, Lawrence House is dedicated specifically to the care of abandoned and unaccompanied refugee minors. Its motto is the Bible verse “I was a stranger and you accepted me”. The House and its separate teenager cottage can accommodate up to 30 children. Boys and girls between the ages of 6 and 18 are taken in. Currently the House shelters children from Angola, DRC, Rwanda and Zimbabwe.

We at Creative Consulting & Development Works are firm believers in equal rights and observing the Constitution of South Africa, that is why we have also worked with the NGO for refugees, Adonis Musati Project.

If children from different walks of life can come together and use their talents to put on such a wonderful show, why can’t we as adults bury our differences and work together as well?

Fly the South African Flag! Photo: Media Club South Africa

Fly the South African Flag! Photo: Media Club South Africa

The quarter finals of the 2010 FIFA World Cup are here and all South Africans are being urged to take part in a national march to make sure that the second half of this great tournament starts with a BANG!

Some notable corporate companies, as well as the Department of Arts and Culture, Gauteng Province and Gauteng Tourism have asked South Africans to take to the streets tomorrow, 3 July, and wave their flags in what they call the Million Flags March.

Artslink said in a press release: “All citizens of the country are urged to wake up with the same spirit that we showed on 9 June when the crowds gathered in Sandton and other parts of the country to raise the flag for Bafana Bafana two days before the kick-off on 11 June. The benefits of the World Cup in most countries go down in their history books long after the first kick-off. How we treat our visitors, engage with them and ensure their safety in our country is crucial to the county’s tourism efforts.”

Photo: Henti Smith via Flickr

Photo: Henti Smith via Flickr

A specific route is planned for the march in Soweto. It will begin at Chris Hani Baragwanath Hospital via Maponya Mall, then to Jabulani Mall, Dobsonville Mall, Meadowlands to Protea Gardens Mall, then end at the FIFA Fan Fest in Elkah stadium in Soweto.

But in all parts of the country people are called on to wave the South African flag in support of their country’s hosting of the World Cup. The flags of other participating countries are also welcome as South Africans should continue to support the remaining teams in the tournament, even though Bafana Bafana have gone out with their heads held high. And of course blowing the phenomenal vuvuzela is encouraged!

More about the South African flag:

South African soccer fans wave their flags. Photo: Steve Evans via Flickr

South African soccer fans wave their flags. Photo: Steve Evans via Flickr

The South African flag was designed by State Herald Frederick Brownell and was adopted on 27 April 1994, during the first democratic election in the country. According to Media Club South Africa the flag was first flown on 10 May 1994 – the day Nelson Mandela became president.

The “Y” shape of the flag symbolises the coming together of people from different racial, cultural, religious, political and linguistic backgrounds to form one united nation.

When displayed, the black triangle is meant to be on the left and the red band is meant to be on top. The South African flag is the only six coloured flag in the world and one of the youngest.

Wavin’ Flag

One of the official songs of the 2010 FIFA World Cup is “Wavin’ Flag”, sung by Somali-Canadian artist K’naan, who has lived through the Somali Civil War. It was originally written in honor of the victims of the 2009 earthquake in Haiti. K’naan
joined hands with a group of Canadian artists in a fundraiser video called “Young Artists for Haiti.”

You can watch the World Cup Celebration Mix of the song below to get you in the mood for waving your flag tomorrow!

Creative Consulting & Development Works thinks the Million Flags March is an great initiative to sustain the amazing spirit of nationhood that has been felt in South Africa since the start of this tournament. We will be sure to fly our flags tomorrow!

Gavin Young’s sculpture "Botha's baby" at the ECC exhibition.

Gavin Young’s sculpture "Botha's baby" at the ECC exhibition.

During the 1980s, when the apartheid government in South Africa deployed troops not only in Angola, but also in townships within its own borders, there was a brave group of people who said: “No, I refuse to be part of this”.

This year marks the 25th anniversary of that defiance, the End Conscription Campaign (ECC). It was celebrated this weekend with seminars, art exhibitions, films and a thanksgiving service at Spier wine estate, outside Stellenbosch.

The ECC was originally launched by a coalition of human rights, religious, women’s and students’ groups, including the Black Sash, the National Union of South African Students and the Young Progressives. According to an article in Die Burger of 31 October 2009, altogether 7589 young men failed to report for military service in 1985. Some were sent to jail for their refusal to comply to compulsory conscription.

Willemien Brummer reports in Die Burger that the ECC was always very creative, for instance tying yellow ribbons to trees – a symbol for calling troops home. The art exhibition at Spier is thus a fitting way to commemorate the campaign’s 25 years. Works of well-known artists such as Jane Alexander, Penny Siopis and William Kentridge are on display.

Gavin Young’s sculpture of a baby’s high chair with a gun in the tray, entitled “Botha’s Baby”, shows how South Africans were born into a society where aggression was institutionalised.

Compulsary conscription ended in South African in 1993, but a campaign for peace such as the ECC is still relevant if one takes into consideration that violence and the use of guns is still pervalent in this country.

Many other countries still have compulsory conscription, many are manufacturing deadly bombs and some have to deal with still live landmines, left behind after wars.

Eight photos of child soldiers confront you in the exhibition. This is still a reality in some countries.

Laurie Nathan, former ECC national organiser told Die Burger the weekend at Spier was a celebration of what they achieved, but also a chance to address contemporary issues.

In January 2008, the South African Arts Symposium was hosted by the John F. Kennedy Center Institute for Arts Management in Cape Town, South Africa. Sianne Alves from DEVELOPMENT WORKS attended and gained much knowledge on how to build the arts sector.

The John F. Kennedy Center for the Performing Arts has developed and presented arts management programs in Mexico, China, Pakistan, and the 22 Arab Nations. Through its Institute for Arts Management, the Kennedy Center offers practical training in strategic planning, fundraising, marketing, and institutional branding. Successful programs around the world have demonstrated the value of strengthening these efforts, especially in countries where government support for the arts has been traditionally strong and is now declining.

The South African Arts Symposium focused on developing resourceful and forward-thinking solutions to the many challenges facing arts leaders in South Africa today. The seminar included strategic planning, fundraising, and marketing of the arts. This important initiative also presented and promoted the arts as crucial to the preservation of the culture and heritage in South African society.

Participants from organizations that create or present any artistic discipline: music, dance, theater, visual arts, film, cultural preservation attended the symposium, with some members traveling as far as Johannesburg to participate in this event.

Michael M. Kaiser, President of the John F. Kennedy Center, a key note speaker at the symposium provided direction on the many challenges being faced by artists in South Africa today. Kaiser’s advice and strategic direction is readily available online as the Kennedy Center has developed a free valuable online resource as part of their outreach programme.

The online resource provides solutions to management challenges faced by many of today’s not-for-profit organisations. These resources includes models in strategic planning; case studies by arts leaders currently working in the field; a resource center for management challenges and finally an Ask facility where you can submit questions and receive free practical advice. All these resources can be found at www.artsmanager.org

Other exciting opportunities for leaders or managers in the arts discipline are offered by the Kennedy Centre through their International Summer Fellowship Programs for developing countries.

The International Summer Fellowship Program provides practical experience and instruction for up to 20 managers currently working in international not-for-profit performing arts organizations. This full-time, four-week intensive program takes place in July 2008 and includes classes, seminars and practical work experience in the Kennedy Center’s fundraising and marketing departments. Individuals selected for this program will return to the Kennedy Center for ongoing professional development for a total of three consecutive summer sessions. Lodging, per diem, travel, and materials are provided at no cost to participants. Further information can be found at:

http://www.kennedy-center.org/

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